The Doors-The Future Stars Here-The Essential Doors Hits-2008 seeding by torrent

Artist : The Doors
Album : The Future Stars Here: The Essential Doors Hits

Genre : Classic Rock
Label : Rhino

Source : CDDA
Size : 115,6 MB

Quality : VBRkbps
: 44.1kHz
: Joint
Password: www.extrem-torrent.to

TRACK LISTIING

01 Break On Through (To The Other Side) 02:27
02 Light My Fire 07:00
03 Love Me Two Times 03:16
04 Hello, I Love You 02:42
05 People Are Strange 02:13
06 Strange Days 03:09
07 Riders On The Storm 07:09
08 L.A. Woman 08:00
09 Touch Me 03:13
10 Roadhouse Blues 04:09
11 Peace Frog 02:58
12 Love Street 02:58
13 The Crystal Ship 02:36
14 Soul Kitchen 03:33
15 Love Her Madly 03:40
16 Back Door Man 03:34
17 Alabama Song (Whiskey Bar) 03:18
18 Moonlight Drive 03:05
19 The Unknown Soldier 03:26
20 The End (Edit Version From The Film Apocalypse Now) 06:29

Total Runtime: 78:55
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Release Notes:
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Although the Doors were really only together for four years,
releasing six albums between 1967 and 1971, their impact and
legacy is as lasting as any in the history of rock, and no
band before or since has really sounded anything like them.
Driven by Jim Morrison's frequently bombastic and sophomoric
but always utterly fascinating take on the colliding orbits
of sex and death, the Doors managed to sound big, dangerous,
and edgy while still retaining a commercial viability,
placing singles high on the pop charts through every
stylistic phase of the group's existence. This concise set
hits all the absolute essentials, and each of these 20
tracks is a classic, from the early mission statement
"Break on Through (To the Other Side)" to the unambiguous
stomp of "L.A. Woman" (for the record, the chant of "Mr.
Mojo Risin'" was intended as a deliberate anagram of the
name Jim Morrison). What sometimes gets lost in the
larger-than-life myth of Morrison was his still refreshing
directness with love songs, and "Love Me Two Times,"
"Hello, I Love You," "Touch Me," and "Don't You Love Her
Madly" all retain a surprisingly tender strength and
honesty even some 40 years after they were recorded.
Then, of course, there's "The End," still one of the most
harrowing moments in the history of rock (the mix
included here is the edit version from the film Apocalypse
Now), and the song that best illustrates Morrison's
over-the-top but somehow appropriately balanced sense of
how theater, drama, psychology, sex, death, pop poetry,
and rock all merge into a single unavoidable spectacle.
No band has ever done it better, or had the courage to
even try.

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