Nelly Furtado-Loose International Tour Edition -2CD-2007-VAG torrent

ARTIST: Nelly FurtadornTITLE: Loose (International Tour Edition)rnLABEL: UniversalrnGENRE: PoprnGRABBER: EAC (Secure Mode)rnENCODER: Lame 3.98b4 / -V2 --vbr-newrnQUALITY: 212 Kbps Avg / 44.1 KHz / Joint StereornPLAYTIME: 1h 28min 44sec totalrnSIZE: 134.5MBrnRELEASE DATE: 03-13-2007rnRIP DATE: 08-12-2007rnrnrnTrack Listrn

rnrnDisc 1/2rn

rn01. Afraid (Feat. Attitude) (Produced By 3:35rn Timbaland & Danja)rn02. Maneater (Produced By Timbaland & 4:25rn Danja)rn03. Promiscuous (Feat. Timbaland) 4:02rn (Produced By Timbaland & Danja)rn04. Glow (Produced By Timbaland & Danja) 4:02rn05. Showtime (Produced By Danja) 4:16rn06. No Hay Igual (Produced By Timbaland, 3:35rn Danja & Nisan Stewart)rn07. Te Busque (Feat. Juanes) (Produced By 3:38rn Lester Mendez)rn08. Say It Right (Produced By Timbaland & 3:43rn Danja)rn09. Do It (Produced By Timbaland & Danja) 3:41rn10. In God\'s Hands/Interlude (Produced By 4:54rn Rick Nowels)rn11. Wait For You (Produced By Timbaland & 5:11rn Danja)rn12. Somebody To Love (International Bonus 4:56rn Track) (Produced By Rick Nowels)rn13. All Good Things (Come To An End) 5:11rn (Produced By Timbaland & Danja)rnrnDisc 2/2rn

rn01. Let My Hair Down (Produced By Track & 3:38rn Field)rn02. Undercover (Produced By Lester Mendez) 3:56rn03. Runaway (Produced By Rick Nowels) 4:16rn04. Te Busque (Spanish Version) (Feat. 3:38rn Juanes) (Produced By Lester Mendez)rn05. No Hay Igual (Remix) (Feat. Calle 13) 3:40rn (Produced By Timbaland, Danja & Nisanrn Stewart)rn06. All Good Things (Come To An End) 3:57rn (Feat. Rea Garvey From Reamonn)rn (Produced By Timbaland & Danja)rn07. Crazy (Live From Radio 1 Lounge 3:25rn Session) (Produced By Andy Rogers)rn08. Maneater (Live From Sprint Music 3:00rn Series) (Produced By Timbaland &rn Danja)rn09. Promiscuous (Live At The Orange 4:05rn Lounge) (Feat. Saukrates) (Produced Byrn Daryn Barry)rnrnRelease Notes:rnrnIf Nelly Furtado\'s nearly impenetrable 2003 sophomore effort, Folklore, provedrnanything, it was that this modern-day singer/songwriter is smart and ambitiousrnyet doesn\'t quite have a handle on those very qualities. Dabbling in worldbeatrnand chronicling the perils of immediate success, she indulged herself without arncare for the audience -- and the audience responded in kind, as the album barelyrncracked the Billboard Top 40, spawned no hits, and sold about a quarter of whatrnher Grammy-winning debut did. Clearly a rethink of some sort was in order forrnher next album, and 2006\'s Loose, delivered about three years later, certainlyrndoes present a different Nelly Furtado: one who is glammed up, sexed up, andrnready for the dancefloor. Borrowing liberally from Gwen Stefani\'s ghettornfabulous makeover and a little bit from Justin Timberlake\'s sleek retro-\'80srnmoves on Justified, Furtado now has a sound that\'s straight 2006; with hooksrnthat feel as comfortable as bumper music on MTV as they do as background on cellrnphone commercials or as ringtones, she can blend into the hyper-saturated mediarnculture of 2006, a move that may alienate fans who were won over by how herrndebut, Whoa, Nelly!, sounded like nothing else in 2000. No matter howrnclub-friendly Loose is -- even its quieter moments, like the closing "All GoodrnThings (Come to an End)" (co-written in part by Coldplay\'s Chris Martin), feelrnlike ideal soundtracks to chill-out moments -- ultimately Furtado did not get arnswan-styled makeover, where her original personality has been chiseled andrnchipped away so only a vestige of her remains. Remember, Furtado is nothing ifrnnot smart, and she smartly picked Timbaland, one of the very best producers inrnmodern music, as her main collaborator for Loose. Timbaland helmed all but twornof the 12 main tracks here -- the album weighs in at 13 songs, but one is arnSpanish version of the Juanes duet "Te Busque" -- and he gives much of thisrnmusic a bracing feel, dense with old-school synths, subtle sample collages,rnbone-crunching bass, cascading vocal hooks, and beats that sound so heavy itrntakes careful listening to realize how nimble they are. Nowhere is this morernevident than on the killer opening triptych of "Afraid," "Maneater," andrn"Promiscuous," three songs that trumpet Furtado\'s makeover and make it seemrnpretty convincing, too -- particularly on "Maneater" with its circular,rnminor-key bass and "Promiscuous" with its chorus that sounds like vintagernPrince. This is Timbaland at his best, and the only weak link is Furtado; nornmatter how she growls on "Maneater" or murmurs on "Promiscuous" -- no matter howrnmuch she sings about sex, period -- she just doesn\'t sound sexy. She sounds asrnif she\'s striving to be sexy, which doesn\'t generate much carnal heat, but itrnultimately doesn\'t matter much since on all the heavy dance songs, of whichrnthere are a bunch, she\'s mixed into the background on Timbaland\'s production,rnfunctioning as another instrument, which helps the music work as just a stylishrnwall of sound. Furtado doesn\'t fight against Timbaland\'s mix, which proves herrnsmarts more than anything on the showy Folklore; there\'s a reason why she chosernTimbaland as a collaborator, and she lets him shine for the first half of thernrecord, as they get the party rolling. Then on the second half of the record,rnthe old Nelly starts to show through. She gets to play the world traveler withrn"No Hay Igual," where she deftly blends reggaeton and M.I.A., along with thernsmooth Latin pop ballad "Te Busque." Her words gradually come to the forefront,rnas on "Say It Right" -- a dark meditative piece that would have fit on herrnprevious records if it didn\'t have a Timbaland production -- or on the sweetlyrnruminative "In God\'s Hands," and then on "Wait for You," which hasrnIndian-influenced hooks and a melody reminiscent of "I\'m Like a Bird," bothrnstrands are pulled together in a haunting fashion. It\'s on this final stretch ofrnthe album that the Furtado and Timbaland pairing seems like a genuinerncollaboration, staying true to the Nelly of her first two albums, but given anrnadventurous production that helps open her songs up. Unlike the music onrnFolklore, the idiosyncrasies intrigue instead of frustrate, and deliver on thernpromise of her debut, when it seemed like Furtado could do anything. That said,rnthe music on the second half isn\'t nearly as immediate or addictive asrn"Maneater" and "Promiscuous," two singles that were already deserved hits (inrnthe U.K. and U.S., respectively) when Loose was released. The genius on theserntwo songs is down to Timbaland, who not only crafts the sound but vocallyrnovershadows Nelly\'s mumbled raps on the latter. But Furtado is smart enough tornlet him dominate here, since she knows that Timbaland has revitalized NellyrnFurtado both creatively and commercially with Loose, so it\'s only appropriaternthat he hogs the spotlight on its two best moments.rnrnGroup Newsrn

rnWe\'re looking for:rnrn-Rippers With Unreleased Music, New Promo, Pre-Retails or Mixtapes.rn-Peeps with albums 2003 and older for Internal VBR ripping and archiving.rn-T3+ EU/AS Sites/HQ For Affil.rnrnIf you have any of the above, feel free to contact us. You know how...rnrnWe\'re here to bring you music to listen to from all years, genres andrnlanguages. We also release VBR internals for albums that have never beenrnripped in VBR before for optimal quality. Quality over Quantity is our motto.rnIn this jungle and maze of groups, we strive to be a unique crew and restorernthe quality in our hobby.rnrnShouts to all the groups who put out quality releases, our sites for hostingrnus and people who have helped us.

Recent Searches