Trouble--Simple Mind Condition-2007-OMA torrent

"OPEN MUSiC ASSOCiATiON" rnPROUDLY PRESENTS: rnTrouble - Simple Mind Condition rnARTiST..[ Trouble rnTiTLE...[ Simple Mind Condition rnGENRE...[ Metal GRABBER.[ EAC rnLABEL...[ escapi music (edel) ENCODER.[ Lame 3.97 rnYEAR....[ 2007 QUALiTY.[ avg. 221kbps rnSOURCE..[ CDDA MODE....[ Joint-Stereo rnPLAYTIME[ 46:11 min REL.DATE[ 06.22.2007 rnTRACKS..[ 11 RiPPER..[ TEAM OMA rnSiZE....[ 75,2 MB SUPPLiER[ TEAM OMA rnNR. TRACK. TiME. rn01 Goin\' Home 04:02 rn02 Mindbender 03:50 rn03 Seven 04:58 rn04 Pictures Of Life 03:54 rn05 After The Rain 05:31 rn06 Trouble Maker 04:07 rn07 Arthur Brown\'s Whiskey Bar 04:23 rn08 Simple Mind Condition 03:42 rn09 Ride The Sky 02:46 rn10 If I Only Had A Reason 04:18 rn11 The Beginning Of Sorrows 04:40 rnTOTAL: 46:11 rnthe year of our lord 2006 a.d. is looking to be a rnbusy one for drastic doom legends trouble. is it a rncoincidence that the bands swedish doppelganger rncandlemass reunited torrid and triumphant with one of rnthe top records of 05? did, perchance, this rnhappenstance push the notoriously patient and slow to rnrile trouble cabal into some sort of competitive rnconflagration? for indeed, it has been trouble and it rnhas been candlemass, since well on nigh into the rnearly 80s, that have together defined fine grinding rndoom in the rooted and rested sabbatherian style. ok rnthen, is it a coincidence that trouble, on their rnskull-frying new live dvd live in stockholm, is rninterviewed by none other than candlemass bulkhead rnleif edling? no, it is not leif, of course, knows rnhis doom like no other, he knows he is sitting down rnwith a band certainly equal to his in stature and rnstateliness, and he knows that there is a certain rnpower chord poetry to the band traversing half the rnworld to deliver their sermon on the mount, here in rnthe land of candlemass. rnfor those who need a funereal refresher, trouble rnarrived at this esteemed spot on metals map through rnwhat is now nearly three decades of following their rnown frightening, psychedelic-damaged muse of rnmorbidity. in 1983, metal blades brian slagel liked rnwhat he heard, put their stone-carved monolith the rnlast judgement on metal massacre 4, and then signed rnthem to a record deal. trouble bought a van and drove rnwest. there they crafted a record of singular power rnand persuasion called psalm 9. the incendiary rnwall-of-guitar madness promulgated by rick wartell rnand bruce franklin was a thing of terrible beauty. rnbut still, somehow, over this seemingly endless red rntide of axe-mad heroics, a voice cried out and was rnheard, eric wagner in possession of that voice, one rnthat could cut down unbelievers, or at least stop rnthem stunned in the tracks of their tears. rnbut unbelievers in what? well, the astonishing thing rnabout trouble through those early years, on records rnlike 84s psalm 9, 85s the skull and 87s run to rnthe light, was that eric was railing, near rnfeverishly, about the pain reigning down from a rnsavage and unmerciful christianity. for lack of rnunderstanding and for expediency, label hype deemed rnthese sermons white metal. and i suppose thats rnwhat it was, even if fans of barren cross and rnbee-bonnet rockers stryper wouldnt last a flaming rnmoths minute at the smothering wake of guitar mass rnthat was a trouble concert. rnmere earthly concerns such as drummer, label and rnmanagement hassles would consume the band for three rnyears as they readied their masterful self-titled rnrecord for 1990, trouble landing themselves on def rnamerican with rick rubin at the production helm. rick rnturned the band into a finely tuned, stingingly rnmetallic machine so heady of heavy highs that trouble rnwould become the band other bands spoke of in hushed rntones. solid sales figures and even mtv exposure rnensued as the band went from strength to strength, rnturning in, for 1992, what the guys themselves rnconsider their masterpiece, manic frustration. rnnuances of erics near obsessive love for the beatles rnblessed and finessed the record, as did more of a rnpsychedelic predilection. but through it all, the rnfrazzled and freaky guitar dementia shooting from the rnhands of franklin and wartell soaked the album in a rnboiling, acidic wash of pure metal. rnagain shackled by drummer, management and label rnwranglings, trouble would emerge in 1995 with plastic rngreen head, their most recent - but now tortuously rntemporally distant - studio album (now 11 years on, rnthey are finally readying another). plastic green rnhead proved that this band, given their steady eye on rnquality and an attendant defiance at the pressures of rntime and the travails of the business, could do no rnwrong.s rnin fact, they have done no wrong. as leif edling, on rnlive in stockholm, so knowledgably acknowledges, the rnbands tight catalogue of six studio albums is a rncanon beyond reproach. fortunately for the viewer, rnedling gets the band to talk intelligently and at rnlength about each and every one of these records rn(erics recollections of writing the skull are rnparticularly poignant), as well as early influences rnand plans for the future, which included, at the time rnof the talk, the dvd at hand, an acoustic ep, and the rnbands long-awaited new studio album. rnand if theres any cause to doubt the bands mastery rncome that new record, the root reason for this dvd to rnexist should explode those doubts like so much acrid rngunpowder. live in stockholm, unsurprisingly, rncaptures the band live in stockholm, delivering an rninsanely hi-fidelity set in front of 700 discerning rnand demanding doom fans. the bands current lineup rn(and the one that set down in sweden that fateful rnday), is frightening when witnessed in a live rnsetting. joining eric, bruce and rick, is returning, rnoriginal drummer jeff oly olsen and on bass, rnlongtime trouble compatriot chuck robinson. chuck rnjoined the trouble camp over a decade ago as bruce rnand ricks guitar tech and now holds the legendary rnbottom end like no fat-stringer that came before. rnindeed, preparations for the show saw chuck rnrehearsing, sometimes two times a day, with olsen, rnjust to get the crucial drum and bass rhythm section rnduality crushingly perfect. this all took place at rnerics house and summarily drove him crazy, but rnthats a story for another time rnthe blood and sweat of chucks and olys toil, along rnwith the jubilant caterwaul of what happens when rneric, bruce and rick join the coven (cigarettes and rnflying vs mandatory), can be heard as the band rncarves deep grooves through classics like r.i.p., rnrun to the light, come touch the sky, fear and rnpsychotic reaction, along with shocking rarities rnlike the skull and vengeful closer the tempter. rnelsewhere, the misery shows (act ii) and memorys rngarden demonstrate troubles near scientific ability rnto harness all that electricity and deliver rnclaustrophobic eulogies with somber efficiency. eric rnis resplendent and untouchably cool in his shades, rnbruce looks like a time-traveler from san francisco rncirca 69, and the others are all business, laying rndown the grim metal magic with the precision and heft rnone has come to expect from troubles very rnexpensive-sounding show. rnultimately, live in stockholm is irrefutably proof, rnas if any was needed, that trouble exist in a sort of rnmetal music void, away from trend, away from concern rnfor the business, away from timelines, away from any rnsort of influence save for the complex tangle of rninspirations osmosed and injested in the early 70s rnas troubled kids in a troubled america. live in rnstockholm is, quite possibly, a capable capture of rnone of rocks greatest live bands operating at near rnpeak condition. it is certainly a recording that rncaptures the greatest lineup the band has ever put on rnoffer, and it is certainly a celebration of all that rncan be crushing and torridly emotional about metal rnmusic. bathing yourself in its light will certainly rnbe your salvation from those who pose and oppose. rnhttp://newtrouble.com/ rnenjoy and support the artist.

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