1. Last Race, The - Jack Nitzsche
2. Baby, It's You - Smith
3. Paranoia Prima - Ennio Morricone
4. Planning & Scheming - Eli Roth/Michael Bacall
5. Jeepster - T Rex
6. Stuntman Mike - Kurt Russell/Rose McGowan
7. Staggolee - Pacific Gas & Electric
8. Love You Save, The (May Be Your Own) - Joe Tex
9. Good Love, Bad Love - Eddie Floyd
10. Down In Mexico - The Coasters
11. Hold Tight - Dave Dee/Dozy/Beaky/Mick/Tich
12. Sally And Jack - Pino Donaggio (From The M)
13. It's So Easy - Willy DeVille
14. Whatever-However - Tracie Thoms/Zoe Bell
15. Riot In Thunder Alley - Eddie Beram
16. Chick Habit - April March
Directors Quentin Tarantino and Robert Rodriguez spent $53 million to pay loving tribute to the vintage hundred-thousand-dollar exploitation fare that inspired Grindhouse's two-movies-for-the-price-of-one thrill ride. Tarantino's half of the exercise (which also includes Robert Rodriguez's self-scored Planet Terror) features another effusive slice of the director's eclectic musical sensibility to underscore its manic tale of stuntman/psycho-killer Kurt Russell and his muscle-car-fueled exploits. Tarantino works from a familiar formula that variously mixes evocative, semi-obscure Italian film cues from Morricone and Dinaggio, contrasting slices of '60s catalog from the great Jack Nitzsche and Brit Invasion also-rans DDDBM&T and some '70s fodder from both ends of the Top 40 via Smith and T. Rex, also stirring in a savory mid-disc run of R&B that stretches from PG&E's upbeat read of "Stagger Lee" through more familiar fare from Joe Tex, Eddie Floyd, and the Coasters. The director also serves up a couple of those deliciously off-kilter obscurities that have come to be his musical trademark as a coda: Eddie Beram's thumping "Riot in Thunder Alley" and April March's infectious ditz-pop take on Serge Gainsbourg's loopy "Chick Habit."